This mailed advertisement for Vera Scwarcz and Chava Pressburger's exhibit goes into detail about what the exhibit is specifically about: combining Chinese poetry with the daily terror in Israel

CD-rom contains gallery portraits for Vera Scwarcz and Chava Pressburger's exhibit

Published book that accompanied the "In the Garden of Memory" exhibit, the book contains poetry by Scwarcz and images by Pressburger; almost all of the images in the book have another similar image taped over it, so I am not sure if this is how it is supposed to be if if the additional images were added by another person

Letter discusses the book In the Garden of Memory and addresses the issue that Chava included some replacement images. Scwarz doesn't seem to mind them

Letter states that Pressburger plans to glue the replacement images over Bixby's prints in the copies of their book In the Garden of Memory

Letter further discusses Scwarcz and Pressburger's book

Letter states that Vera included with the letter passages to be used for a brief preface and back page blurbs in the book In the Garden of Memory; attached to the letter is the previously seen advertisement for the "In the Garden of Memory" exhibit, the article by Mara Dresner about the exhibit, and a review from the Hartford Advocate about the exhibit

E-mail asks Reynolds if Scwarcz can quote from the Hartford Advocate article about the "In the Garden of Memory" exhibit; in a handwritten note at the bottom, Reynolds states that this is fine; Comes with a note for Robert Bixby, stating that this is for the preface and the blurbs of the book; also comes in an envelope

Letters states that Scwarcz made to the book four small changes the the punctuation of poems and that in the foreward, the spelling of Chava's brother should be "Petr Ginz"; comes with copies of the pages Scwarcz specifically changed

Letter discusses how Scwarcz and Pressburger hope to have their book In the Garden of Memory printed by the time their next exhibition in Prague opens on June 9th. It also mentions how Scwarcz has a $500 grant from Wesleyan to help with the production of the book.