Scope and Contents

Letter states that Hettich accidently left off someone from the acknowledgements page and that they should be reinstated into the page

Scope and Contents

Letter states that Hettich has reworked some of his poems and has been having a little trouble writing his bio

Scope and Contents

Note at the bottom states that Hettich should "remove last line" of bio

Scope and Contents

2 copies of the acknowledgements page with where the poems were originally published being mentioned

Scope and Contents

Manuscript is for Robert Bixby, according to the dedication at the front; probably the manuscript Hettich first sent to Bixby

Scope and Contents

Letter cites further edits hettich would like made to his chapbook Stationary Winds and comes with two poems by Charlie Mehrhoff on a separate page in different paper; comes with an envelope addressed to Bixby

Scope and Contents

Letter contains Millner's introduction for Michael Hettich's new book as well as Millner's contact information

Scope and Contents

Photograph was used on the back cover of Hettich's chapbook Stationary Winds

Scope and Contents From the Collection: The collection is housed in 136 boxes (the first 135 labeled by Bixby himself) which document the creative output of March Street Press between 1992 until 2009. The bulk of the collection contains correspondence between the editor (Robert J. Bixby) and authors, manuscripts, proofs, copyright documents, photographs, cover art and ephemera. It also contains a complete run of the magazine, Parting Gifts, as well as copy of each book published by the press. The...

Scope and Contents

Contains a review of Don Cellini's chapbook Approximations/Aproximaciones; review written by Deborah Diemont. Fall 2006.