E-mail grants Chorlton permission to reprint his poems "Ice Music", "Chinese Landscape", "Arctic Dream", and "Guanacaste"

Letter states that Chorlton edited much of the manuscript for his chapbook Waiting for the Quetzal and also sent a blurb for the book with the letter by Christina Pacosz

Letter is actually a release form for Chorlton's poems "White Midnight", "Restoration", "Monteverde", "Rain at Rincon de la Vieja", and "Afternoon at Rinconcito Lodge" that just needed to by signed by Odam; comes with a note from Chorlton saying that this completes the release forms except for "Desert Voices" and they have no copyright note at all

Letter is actually a release form for Chorlton's poems "Sunday at the Water Ranch", "February at the Hassayampa Preserve", "Volcano Ride", and "Valley of the Jaguar" that just needed to be signed and dated by Swenson

Letter is actually a release form for Chorlton's poems "Wild" and "Learning Spanish" that just had to be signed by Offen; comes with a note at the bottom that Free Lunch must be given credit in the acknowledgements of the book

Letter is actually a release form for Chorlton's poems "Grey Fox", "Alpine Idyll" and "Winter in the Sung Dynasty" that just needed to be signed and dated by Warrick

Letter is actually a release form for Chorlton's poem "Waiting for the Quetzal" that just needed to be signed by Douglass

Letter is actually a release form for Chorlton's poem "Cordillera Bus" that just needed to be signed by Rice

Letter is actually a release form for Chorlton's poem "Desert Reverie" that just needed to be signed by Bilicke

Letter is actually a release form for Chorlton's poems "The Lives of Moths" and "Predictions" that just needed to be signed and dated by Harbor