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E-mail states that Fifer has the right to republish any poems he had previously published in The Journal; The numbers 1 and 38 are written below the e-mail (probably Fifer's poems "Bihzad: Miniature from an Unknown Manuscript" and "In Honduras the No See 'Ums are the National Birds"

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Letter grants Fifer permission to reprint his poems "After Fire" and "According to the Baal Shem Tov"; Additionally, Beasley states that that Fifer's chapbook After Fire will be featured on a "Celebrations" page of New Letters

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The letter is Fifer's request to have a letter of release to reprint his poem "Sunday Mowing"; a note at the top of the letter written by someone named Kim Pobo writes "Great news, Ken- the poem is all yours"

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E-mail states that Fifer has permission to reprint his poem "To Carry the Day" is his forthcoming collection of poems, After Fire

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Letter states that Fifer can reprint his poem "Used Clothes" (also known as "Trying on a Good Will Jacket")

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Letter is regarding how Fifer made some corrections to his chapbook After Fire, edited the acknowledgements page, and added a dedication on the next page; Fifer also states that he will send the blurbs, bio release slips, and milaing list soon

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Manuscript comes with title page and the entire collection of poems with a few edits made to them in red ink

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Manuscript comes with with no title page, is in a different font, and has less poems than the final version of the collection

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Letter states that Fifer is offering his poetry manuscript, After Fire, for consideration at the March Street Press

Scope and Contents From the Collection: The collection is housed in 136 boxes (the first 135 labeled by Bixby himself) which document the creative output of March Street Press between 1992 until 2009. The bulk of the collection contains correspondence between the editor (Robert J. Bixby) and authors, manuscripts, proofs, copyright documents, photographs, cover art and ephemera. It also contains a complete run of the magazine, Parting Gifts, as well as copy of each book published by the press. The...