Scope and Contents From the Collection: The collection is housed in 136 boxes (the first 135 labeled by Bixby himself) which document the creative output of March Street Press between 1992 until 2009. The bulk of the collection contains correspondence between the editor (Robert J. Bixby) and authors, manuscripts, proofs, copyright documents, photographs, cover art and ephemera. It also contains a complete run of the magazine, Parting Gifts, as well as copy of each book published by the press. The...

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The poems are "Crabapple" and "Tasks" and they each come with a little note stating that their order should be reversed, that "Tasks" should be the last poem rather than "Crabapple".

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Letter states that enclosed is a manuscript of The Gardener and the Bees with corrections and revised versions of certain poems, photocopies of the release papers for her poems, her bio, and a SASE (self-addressed stamped envelope).

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A brief bio to place in Minton's chapbook The Gardener and the Bees as stated in her letter to Bixby.

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A short poem by Minton with the word insert written in the top corner

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Note states that the next few papers are permissions from publishers for Minton to reprint her poems; comes with a list of magazines who are no longer in publication.

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The phrase "Rights revert to individual contributors following publication" is highlighted and Helena Minton's poem "January" is written underneath the copyright information.

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Spring 2005, Helena Minton's poems "Crows in the Cul-de-Sac" and "Convalescence Among Blueberries" are written next to the copyright information.

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The sentence "All other rights revert to the author" is highlighted and Helena Minton's poems "Perennial Bed" and "Scrutiny" are written next to the copy right information.

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The sentence "All rights revert to author upon publication" is highlighted and Helena Minton's poem "Turnip" is written next to the copyright information.