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Printed on two separate sheets of paper is the front and back cover of [i]Phenomonolgy.[/i]

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Manuscript comes with many edits and on page 12, a piece of the poem "Name that Tune" is glued into the manuscript on completely different paper.

Scope and Contents From the Collection: The collection is housed in 136 boxes (the first 135 labeled by Bixby himself) which document the creative output of March Street Press between 1992 until 2009. The bulk of the collection contains correspondence between the editor (Robert J. Bixby) and authors, manuscripts, proofs, copyright documents, photographs, cover art and ephemera. It also contains a complete run of the magazine, Parting Gifts, as well as copy of each book published by the press. The...

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Contains a manuscript of Gessner's chapbook [i]Surfaces[/i] as well as an envelope; Also comes with Gessner's address.

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Letter contains the copyright notices of rights for each poem cited on the acknowledgement page, corrected galleys for Gessner's manuscript [i]Surfaces[/i], and a biographical note. There is also a mention of how Gessner might not be allowed to use his poem "Red Deer Rock" so he is writing another poem just in case about the self-portraits of Frida Kahlo.

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Contains several edits in red marker throughout the manuscript

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The phrase "Copyrighted, reverts to author" is underlined and Michael Gessner's poem "Rights of Spring" is written next to the copyright notice.

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E-mail grants Gessner permission to republish any of his poems that were originally published in Buffalo Spree. Gessner's poem "Red Deeer Rock" is written under the copyright notice.

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The phrase "Copyrighted, reverts to author" is underlined and Michael Gessner's poem "Christein's Last Words" is written next to the copyright notice.

Scope and Contents

The phrase "Copyrighted, reverts to author" is underlined and Michael Gessner's poems "Thoth" and "Seashat" are written next to the copyright notice.