Box 9
Container
Contains 260 Results:
a shuck. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 25
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.
twat. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 26
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.
The good. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 27
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.
It's why. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 28
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.
The hermit's. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 29
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.
Strangely perched. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 30
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.
Blinded if. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 31
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.
Quick. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 32
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.
I dented. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 33
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.
Considering how. By Judson Crews, n.d.
Item — Box: 9, Folder: 5
Identifier: Item 34
Scope and Contents
From the Collection:
This collection primarily consists of correspondence between Carol Berge and Judson Crews which took place between the late 1970s and mid 1980s, but also contains a few pieces of correspondence between Berge or Crews and other artists, editors, publishers, friends, etc. The relationship between Berge and Crews was both artistic and personal. She served as one of the editors for his book of poetry, Clock of Moss (1983). The letters chronicle more of the personal...
Dates:
translation missing: en.enumerations.date_label.created: n.d.